Je suis photographe de mariage à destination. Je suis ravi de photographier des mariages dans la campagne toscane, mais aussi de voyager et de découvrir de nouveaux endroits, de rencontrer des gens et de découvrir de nouvelles cultures tout en photographiant des mariages à travers le monde. J'aime le naturel et la spontanéité et cherche toujours à capter les émotions. Je suis gai, sortant, têtu et plein de ressources. J'adore les bonnes vibrations et les gens positifs. [Photographe de mariage à Florence]

Born in Florence, Edoardo inherited his father’s passion for travel and for photography so much so it became his profession. Edoardo’s travels began at the age of 9 (he has travelled on more than 130 expeditions all over the world) and has allowed him to develop a special sensitivity in his mind and heart allowing him to grasp reality in all its beauty and depth. His photography is reportage - whether it be a trip, a wedding or a backstage event. His meetings with important international photographers has allowed him to grow and learn to photograph in relation to his subject. The advice and teachings of Steve McCurry on the study of light were valuable lessons and left an indelible mark on his way to shoot photography. For the last several years, Edoardo’s photography has been undergoing a new change under the influence of new photographers such as Paolo Pellegrin and his ways of telling stories and Micheal Ackerman for his perception of reality. Edoardo is a member of important international associations: Wedding Photojournalistic Association, Artistic Guild WPJA, ISPWP. These associations are some of the most important associations that welcome American and British photographers after careful screening and only select the best international photographers that shoot wedding photography in reportage style. Edoardo is also founder of Best of Wedding Photography. Edoardo has also participated in reportage photography and wedding photography in numerous events, seminars and workshops in Italy, in 2013 and in 2014 he was invited as a speaker in Spain and in Brazil in some of the most important conventions on wedding photography in the world. Edoardo and his team of wedding photographers have been requested all over the world by the most important international wedding planners: Perth (Australia), St. Petersburg (Russia), New Orleans, New York, Bozeman (USA), Puerto Vallarda (Mexico), London, Brighton, Oxford (UK), Paris (France), Lagos (Nigeria), Edinburgh (Scotland) and others. Awards and accolades On Photojournalism and documentary Over the past 10 years he has received numerous awards in wedding photography and travel reportage. Among the most important are: the first prize in the category People in the UK contest Black and White Spider, winner of the National Geographic Contest, first place in the Masters Cup Color American; first place in Photojournalism category at International Color Awards; silver medal in One Eyeland Photography contest and honorable mentions in the IPA (Lucie Awards) in the sections' feature essay and the Royal Geographic Society in TPOY. On Wedding Edoardo Agresti was elected in 2008, 2009 and 2011 'Photographer of the Year' by the National Association of wedding photographers www.anfm.it. Also in 2011 he was elected POY - Photographer Of the Year - by the American Association AGWPJA, www.agwpja.com. Edoardo entered the list of the most important 50 wedding photographers in the world by the prestigious Association Junebug in 2009, 2011 and 2014. In 2015 Edoardo has been selected to be one of the international judges in the most important chinese photographic festival CPA. In 2016 First prize for 'Wedding album (single photographer)' at WPPI annual contest in Las Vegas In 2017 First running up as Photographer of the Year on AgWPJA [Florence Wedding Photographer]

Azzurra Biagi est une photographe de mariage documentaire basée à Florence. Elle a à cœur d'offrir aux couples des souvenirs de leurs relations et de leurs expériences, de rechercher et de trouver la beauté grâce à son ... [Photographe de mariage à Florence]

Mon grand-père et mon père m'ont transmis la passion de cet art que je suis et cultive depuis que je suis enfant. J'ai suivi des cours de troisième cycle en Italie et à l'étranger. Ces cours m'ont permis d'apprendre de nouvelles techniques photographiques. Le reportage de mariage est la source de mon inspiration. Ma mission est de raconter le mariage, en préservant l'atmosphère et les vraies émotions de cette journée. Capturer des détails, des émotions, des moments, des situations et les rendre inoubliables est ma passion. Je suis photographe pour Morlotti Studio et je suis responsable du bureau de Venise. [Photographe de mariage à Padoue]

Je suis né à Pise, en Toscane, à 1985. J'ai étudié les arts multimédias à l'Accademia di Belle Arti di Carrara, puis j'ai déménagé à Berlin pour étudier la photographie. Après quelques années, je reviens à Pise où en fait je vis et travaille. [Photographe de mariage à Pise]

La photographie et les gens sont les deux plus grandes passions de Joshua. Tout à fait curieuse - un bel héritage qu'elle a obtenu de sa grand-mère - elle aime rencontrer de nouvelles personnes, les observer et capturer ce qu'elles sont. Elle est à la fois ouverte et calme pour que tout le monde se sente à l'aise. Très patiente, elle possède un radar spécial pour les manigances. Son objectif est de documenter de petits mais grands moments qui pourraient autrement passer inaperçus, de capturer le moment tel qu'il a été ressenti ce jour-là. Elle est une conteuse visuelle. Principalement autodidacte, elle est photographe professionnelle depuis les dernières années 7, à plein temps depuis 2013. Elle est basée à Anvers, en Belgique, et voyage en Europe (et parfois en dehors) pour des sessions et des mariages d'une journée dans la vie. Elle est à son meilleur lors de la prise de vue de moments et d'événements réels, sans mise en scène et profonds - dans une atmosphère détendue. [Photographe de mariage à Anvers]

I'm a keen observer. I've always been. I remember my mom kept telling me not to stare at people when I was a kid. I don't seem to have listened as I keep staring at people, only now I do it through the viewfinder of my camera. My interest in photography started back in the mid-'80s when I was barely a teenager. I saved for over a year to afford my first camera, which was a Nikon FM2 with a 50mm lens. A fully manual, film camera that I still own to this day and that still takes perfectly good pictures. It was a time when cameras and photographs were both meant to last. Cameras were mostly mechanical machines and photographs were physical prints, created on film and impressed on paper. There was something tangible about taking a picture and pictures, even normal family vacation pictures, were taken to make a statement. I remember leaving for several days with my family and I could take with me 1 or maybe 2 rolls of film. That was 36 or 72 exposures total. So, pressing the shutter was something exciting that came at the end of a thoughtful process, which could take minutes or a split second, but still: taking a picture was making a statement. And if you think about it, these photographs are still around, be it in albums or boxes in the closet. It may be your pictures as a child or the pictures of your parents or grandparents. They are still doing their work of preserving a memory, of passing down to generations information about people who came before us. They are telling us who we are and where we come from. Fast forward a few decades, come digital sensors and smartphones and photography has radically changed, in that cameras seem to only last a few years before going obsolete and pictures are taken by the thousands, very few of which, if any, will ever be printed and stand any chance to be looked at by anyone in 10 years or more. Still, my job is to take photographs of weddings and I like to come from the bygone era of photography that was meant to last when the shutter was pressed to make a statement. That has stuck with me, even if I'm working with digital cameras and the 36 exposures roll has turned into a multi-thousand pictures capacity memory card. My mindset hasn't changed, the excitement of seeing all the elements come together to make the frame I am looking for and pressing the shutter, that hasn't changed either. I'm entering my 10th year as a professional wedding photographer now. It all happened almost by chance, when I was facing decisions about my 15 years long corporate career and my personal life had me rethink my professional path. I was asked to shoot a friend's wedding but I hadn't practiced photography since ages. I learnt photography technique when I was in my teens then put it aside as my hobby is and has always been guitars. So I borrowed a digital camera and took this people's wedding pictures without ever been taught how to shoot a wedding. I just went out there and took pictures of what I saw, without ever giving directions to anyone as I had no idea how things were supposed to be directed. It was documentary wedding photography without me knowing it. Turns out, everybody loved the pictures. I was loving guitars and music so much and hoping to be loved back but as it went, photography loved me more than guitars ever did. I had a talent and the responsibility of making it grow. In the meanwhile, I started my business. I already had the basic techniques down from my younger days, so I studied the work of the masters. Photographers that always appealed to me such as W. Eugene Smith, H. Cartier Bresson, Don Mc Cullin, Elliott Erwitt, Salgado and the more I studied, the more I discovered, the more books I acquired: Alex Webb, Fan Ho, Josef Koudelka, Bruce Gilden, Robert Frank, James Nachtwey among the others. The best way to improve your lexicon is to read books. Likewise for photography, studying the work of the masters on photography books is what develops your own photographic language. What educates your way of looking at things and crafting a picture, to make your statement. To this day, I've shot approximately 300 weddings. Anything from eloping couples and a pair of guests to 200+ people events. No matter how big and fancy or small and simple, it's always about telling the story of my clients through my pictures. It's about putting my photography lexicon to work to craft images that will be true to my clients, to their day, to their vision. They provide the content, I provide the style. Simple as that. [Savona Wedding Photographer]

«La photographie est muette, mais l'image dans son langage visuel parle de vérité…» - Steve Mc Curry - Tout comme Steve McCurry le dit, c'est la réalité qui m'inspire, racontant, à travers la photographie, la vérité telle qu'elle est, sans filtres ni la médiation. Je veux avant tout capturer ces émotions dans des contextes et des situations qui impliquent l'amour et la famille. En voyageant à la fois en Italie et à l'étranger, je réalise ma photographie de mariage avec un style de reportage, c'est-à-dire raconter chaque instant avec une image, chaque détail de manière très naturelle, sans poses ni décors arrangés et sans faire sentir ma présence. [Photographe de mariage à Pistoia]

Je m'appelle Federico Pannacci, je suis photographe de mariage professionnel et lifestyle. J'adore vraiment voler et vivre en Toscane avec mon pote, ma fille et mon chat rouge (Spritz!). Je n'ai jamais aimé mon image sur le miroir, je n'ai jamais ressenti ma forme comme quelque chose de photogénique, c'est pourquoi j'ai rencontré la photographie, c'était la façon d'étudier comment exprimer la forme de la vie de la même manière que mon cœur et mon esprit la ressentaient . C'est la raison pour laquelle ma photographie est authentique et naturelle mais contaminée par une tendance rêveuse et artistique. [Photographe de mariage à Sienne]

J'aime capturer les moments les plus spontanés et les plus vrais de votre journée, un sourire ou un regard qui passe parfois inaperçu. Pouvoir donner au couple une vision exclusive et passionnante de leur journée est mon objectif. Pour cette raison, je préfère me présenter comme un photographe de reportage même si dans les photos que je donne il y a aussi des images plus formelles (que cela prend) et qui racontent d'autres aspects moins excitants mais toujours vrais. [Photographe de mariage Arezzo]